Index to Volume 50

Contributors Index

Articles

Balme, Christopher B. Staging the Pacific: Framing Authenticity in Performances for Tourists at the Polynesian Cultural Center. 53-70.

Bottoms, Steven. The Tangled Flora of Goat Island: Rhizome, Repetition, Reality. 421-46.

Burningham, Bruce. Barbarians at the Gates: The Invasive Discourse of Medieval Performance in Lope's Arte Nuevo. 289-302.

Canning, Charlotte. The Platform vs. the Stage: The Circuit Chautauqua's Antitheatrical Theatre. 303-18.

Carlson, Marla. Impassive Bodies: Hrotsvit Stages Martyrdom. 473-87.

Dharwadker, Aparna. Diaspora, Nation, and the Failure of Home: Two Contemporary Indian Plays. 71-94.

Ewbank, Inga-Stina. The Intimate Theatre: Shakespeare Teaches Strindberg Theatrical Modernism. 165-74.

Feldman, Sharon G. Scenes from the Contemporary Barcelona Stage: La Fura dels Baus's Aspirations to the Authentic. 447-72.

Gross, Robert F. Fuhrmann Henschel and the Ruins of Realism. 319-34.

Hodgdon, Barbara. Replicating Richard: Body Doubles, Body Politics. 207-25.

Hill, Philip G. Doctoral Projects in Progress in Theatre Arts, 1998. 227-32.

Ireland, John. Freedom as Passion: Sartre's Mystery Plays. 335-48.

Kaynar, Gad. National Theatre as Colonized Theatre: The Paradox of Habima. 1-20.

Kennedy, Dennis. Shakespeare and Cultural Tourism. 175-88.

Knowles, Richard P. From Dream to Machine: Peter Brook, Robert Lepage, and the Contemporary Shakespearean Director as (Post)Modernist. 189-206.

Lane, Jill. Blackface Nationalism: Cuba 1840-1868. 21-38.

Makaryk, Irena. Shakespeare Right and Wrong. 153-63.

O'Brien, John. Harlequin Britain: Eighteenth-Century Pantomime and the Cultural Location of Entertainment(s). 489-510.

Roach, Joseph. Barnumizing Diaspora: The "Irish Skylark" Does New Orleans. 39-51.

Underiner, Tamara. Incidents of Theatre in Chiapas, Tabasco and Yucatan: Cultural Excitements in Mayan Mexico. 349-70.

Performance Reviews

Apple, Thomas T. Berlin Theatertreffen. 262-66.

Auslander, Philip. Kwaidon. Adapt. Ping Chong. 521-23.

Baker, Kit. F@ust: Version 3.0. Johann Wolfgang Goethe, adapt. Pablo Ley. 511-13.

------. Macbeth. William Shakespeare. 242-46.

Barnett, Claudia. Mr. Bundy. Jane Martin. 382.

Barnett, Dennis. 1997 BITEF Festival. 392-97.

Beck, Dennis C. Jób--An Oratorio for Actors. Joseph Roth and Martin Dohnal, adapt. Milan Czerny. 113-14.

Borgstrom, C. Henrik. The Father. August Strindberg. 261-62.

Brietzke, Zander. Ah, Wilderness! and The Emperor Jones. Eugene O'Neill. 385-88.

Carlson, Marvin. Hamletas. William Shakespeare. 233-34.

Carmody, Jim. The School for Wives. Molière. 251-52.

Cheng, Meiling. Monsters of Grace 1.0: A Digital Opera in Three Dimensions. Philip Glass and Robert Wilson. 513-14.

Conley, Francine Heather. The Kitchen. Arnold Wesker. 125-27.

Conner, Kim S. 13 Días/13 Days: How the New Zapatistas Shook the World. Joan Holden, Paula Loera, Daniel Nugent, and Eva Tessler. 97-98.

Cummings, Scott. The Three Sisters. Anton Chekhov. 397-400.

Diamond, Catherine. Anatomy of Corruption and Ilustrado. Malou Jacob and Paul Dumol. 531-34.

------. Metamorphosis. Franz Kafka, adapt. Steven Berkoff. 114-16.

Dolan, Jill. How I Learned to Drive. Paula Vogel. 127-28.

Dunbar, Judith. Richard III. William Shakespeare. 240-42.

Ferguson, Marcia L. Menopausal Gentleman. Peggy Shaw. 377-78.

Fisher, James. Hydriotaphia, or The Death of Dr. Browne. Tony Kushner. 373-75.

Frank, Glenda. Terra Incognita. Maria Irene Fornes. 98-99.

Freeman, Roger. BOB. Saratoga International Theater Institute. 514-17.

Friedler, Sharon. Marche des Arts du Spectacle Africain (MASA '97), Ivory Coast. 108-10.

Gendrich, Cynthia. With Woodrow Hood. House/Lights. The Wooster Group. 383-85.

Goodstein, Jack. Culture of Desire. Ann Bogart. 380-81.

Gross, Robert F. Pearls for Pigs. Richard Foreman. 517-18.

Hammerbeck, David. Los Biombos/The Screens. Jean Genet, adapt. Gloria Alverez, with Pete Galindo, Lynn Jeffries, and Peter Sellars. 525-29.

Hill, Holly. IX Cairo International Festival for Experimental Theatre. 390-93.

Holt, Marion Peter. The Reluctant Lovers. Tirso de Molina. 252-54.

Hood, Woodrow. With Cynthia Gendrich. House/Lights. The Wooster Group. 383-85.

Johnson, Odai. The Witlings. Frances Burney. 543-44.

Kloppenberg, Brian. Der Fensterputzer (The Window Washer). Pina Bausch. 388-89.

Kubikowski, Tomasz. Noc listopadowa (November Night). Stanis¬aw Wyspian;ski. 518-21.

Kuftinec, Sonja. XVIII International Days of Youth Theatre Festival, Bosnia-Herzegovina. 111-13.

Lamont, Rosette C. Tartuffe. Molière. 249-51.

Lewis, Megan. Standard Bank National Arts Festival, South Africa. 105-7.

Mason, Susan Vaneta. Private Battle and Woyzeck. Georg Büchner, adapt. Lynn Manning, Georg Büchner, adapt. Josef Nagy. 100-101.

Moy, James S. 1998 Hong Kong Fringe Festival. 535-37.

Niles, Richard. Tell-Tale. 270-72.

O'Neill, Michael C. The Cripple of Inishman and Tarry Flynn. Martin McDonagh, Patrick Kavanaugh. 257-60.

Osagie, Iyunolu Folayan. Chap Am So: The Amistad Victory. John Thorpe. 101-3.

Over, William. One Flea Spare. Naomi Wallace. 254-57.

Pang, Cecilia. Pacific Overtures. Stephen Sondheim with John Weidman. 537-40.

Reynolds, Michael. Valley Song. Athol Fugard. 103-5.

Ringer, Loren. Et soudain, des nuits d'éveil (And Suddenly, Nights of Awakening). Hélène Cixous with the Théâtre du Soleil. 529-31.

Román, David. The Street of the Sun. José Rivera. 95-97.

Roth, Maya E. Private Lives. Noël Coward. 378-80.

Rudolph, Sarah J. Hamlet. William Shakespeare. 234-37.

Sanderlin, Katherine. With Cynthia Totten. Concert d'eau pour jardin d'hiver (A Concert of Water for a Winter Garden). 267-68.

Shepard, Alan. 'Tis Pity She's A Whore. John Ford. 246-48.

Simas, Rick. Ragtime. E.L. Doctorow, adapt. Terrence McNally, Lynn Ahrens, and Stephen Flaherty. 540-42.

Strand, Ginger. Jails, Hospitals & Hip-Hop. Danny Hoch. 523-25.

------. Mugger Music. Nick Crowe, Graham Parker, and Ian James Rawlinson. 268-70.

Totten, Cynthia. With Katherine Sanderlin. Concert d'eau pour jardin d'hiver (A Concert of Water for a Winter Garden). 267-68.

Wehle, Philippa. Festival de Théâtre des Amériques/Festival of the Americas, Montréal. 121-25.

White, Helena M. III International Gombrowicz Festival, Radom, Poland. 116-21.

Wolf, Stacy. The Gene Pool. Christi Stewart-Brown. 375-77.

Wolff, Tamsen. Elsinore. William Shakespeare, adapt. Robert Lepage. 237-40.

Book Reviews

Bay-Cheng, Sarah. Amazon All Stars: Thirteen Lesbian Plays with Essays and Commentary, ed. Rosemary Keefe Curb. 286-87.

Bayer, Nancy. L. Cities of the Dead: Circum-Atlantic Performance, Joseph Roach. 131-32.

Becker, Glenn. Inside the Drama-House: Rama Stories and Shadow Puppets, Stuart Blackburn. 282-83.

Bender, Felicia. Split Britches: Lesbian Practice/Feminist Performance, ed. Sue-Ellen Case. 136-37.

Bernstein, Robin. Staging the Jew: The Performance of an American Ethnicity, 1860-1920, Harley Erdman. 129-31.

Carmody, Jim. Beaumarchais and the Theatre, William Driver Howarth. 407-9.

Chansky, Dorothy. The Emergence of the Modern American Theater 1914-1929, Ronald H. Wainscott. 419-20.

Cleary, Beth. Maria Irene Fornes and Her Critics, Assunta Bartolomucci Kent; Fornes: Theater in the Present Tense, Diane Lynn Moroff. 140-41.

Di Benedetto, Stephen. The Dramatic Art of David Storey: The Journey of a Playwright, Herbert Liebman. 145-46.

Dieckmann, Lara E. Experimental Theatre: Creating and Staging Texts, Judy E. Yordon; Performance Anxieties: Staging Psychoanalysis, Staging Race, Ann Pellegrini. 411-13.

Dowd, Maureen A. Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Writers, Catherine B. Burroughs; Romantic Theatricality: Gender, Poetry, and Spectatorship, Judith Pascoe. 134-36.

Earnest, Steve. Heiner Müller: Contexts and History--A Collection of Essays from the Sydney German Studies Symposium, ed. Gerhard Fischer; Drama Contemporary: Germany, ed. Carl Weber. 132-34.

Ferris, Lesley. Analysing Performance: A Critical Reader, ed. Patrick Campbell. 275-76.

Fisher, James. Approaching the Millennium: Essays on Angels in America, ed. Deborah R. Geis and Steven F. Kruger; Essays on Kushner's Angels, ed. Per Brask; Tony Kushner in Conversation, ed. Robert Vorlicky. 550-52.

Fisher, James. Realism and the American Dramatic Tradition, ed. William W. Demastes; Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism, Anne Fleche. 144-45.

Gale, Steven H. Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio, Elissa S. Guralnick. 405-6.

Garofalo, Piero. Renaissance Drama by Women: Texts and Documents, ed. S. P. Cerasano and Marion Wynne-Davies. 141-42.

Gupton, Janet L. Style: Acting in High Comedy, Maria Aitken; Acting With Shakespeare: Three Comedies, Janet Suzman. 287-88.

Haedicke, Susan Chandler. Dramaturgy in American Theater: A Source Book, ed. Susan Jonas, Geoff Proehl, and Michael Lupu. 554-55.

Hansen, Kathryn. Binonini Dasi, My Story and My Life as an Actress, ed. and trans. Rimli Bhattacharya. 555-57.

Heck, Thomas F. Arlecchino a parigi: lo scenario di Biancolelli. ed. Delia Gambelli. 545-46.

Henneman, Dennis R. Actors on Guard: A Practical Guide for the Use of Rapier and Dagger for Stage and Screen, Dale Anthony Girard. 415-16.

Hildy, Franklin J. The Stage Designs of Inigo Jones: The European Context, John Peacock. 273-74.

Hurley, Erin. A Sociocritique of Translation: Theatre and Alterity in Quebec 1968-1988, Annie Brisset. 406-7.

Kelly, Katherine. West End Women: Women and the London Stage 1918-1962, Maggie Gale. 401-2.

Kilpatrick, David. Masked Performance: The Play of Self and Other in Ritual and Theatre, John Emigh. 283-84.

Kintz, Linda. Staging Strikes: Workers' Theatre and the American Labor Movement, Colette A. Hyman; American Labor on Stage: Dramatic Interpretations of the Steel and Textile Industries in the 1930s, Susan Duffy; The American Stage and the Great Depression: A Cultural History of the Grotesque, Mark Fearnow. 279-81.

Kowalke, Kim H. Stephen Sondheim: A Casebook, ed. Joanne Gordon. 552-54.

Krajewska-Wieczorek, Anna. A History of Polish Theater, 1939-1989: Spheres of Captivity and Freedom, ed. Kazimierz Braun. 557-58.

LeMaster, David. In Contact with the Gods: Directors Talk Theatre, ed. Maria M. Delgado and Paul Heritage; In Other Words: Women Directors Speak, Helen Manfull. 413-15.

Mackey, Barbara. Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property, Laura J. Rosenthal. 402-3.

Mazer, Sharon. From Acting to Performance: Essays in Modernism and Postmodernism, Philip Auslander. 274-75.

Oliveira, Fernando M. Ecologies of Theater, Bonnie Marranca. 276-77.

Ponnuswami, Meenakshi. Performing Brecht: Forty Years of British Performances, Margaret Eddershaw. 404-5.

Reinelt, Janelle. Mourning Sex: Performing Public Memories, Peggy Phelan. 547-49.

Román, David. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War," Diana Taylor. 277-79.

------. Re-Dressing the Canon: Essays on Theater and Gender, Alisa Solomon. 549-50.

Schachter, Beth. Writing Wrongs: The Work of Wallace Shawn, W.D. King. 416-17.

Scharine, Richard G. Alternative Theatre in Poland 1954-1989, Kathleen M. Cioffi. 558-59.

Schechter, Madeleine. Leone de' Sommi and the Performing Arts, ed. Ahuva Belkin. 546-47.

Sennett, Herbert. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage, ed. Carol Martin; Women in Dramatic Place and Time: Contemporary Female Characters on Stage, Geraldine Cousin. 284-86.

Strand, Ginger. Theatre Culture in America, 1825-1860, Rosemarie K. Bank. 417-18.

Wilcox, Dean. The Theater of the Bauhaus, ed. Walter Gropius and Arthur S. Wensinger; Signs of Performance: An Introduction to Twentieth-Century Theatre, Colin Counsell. 409-11.

Williams, Judith. Contemporary Plays by Women of Color, ed. Kathy A. Perkins and Roberta Uno. 138-39.

Performance Review Index

Performances Reviewed

Abdel-Fattah, Intisar. A Hymn. 390-93.

Aeschylus. Agamemnon. K.H. Myris, adapt. 390-93.

Ahrens, Lynn, adapt. With Terrence McNally and Stephen Flaherty. Ragtime. 540-42.

Alvarez, Gloria, adapt. With Pete Galindo, Lynn Jeffries, and Peter Sellars. Los Biombos/The Screens. 525-29.

Ballet-Théâtre Zinoun. Psyché ou La Légende D'Adonis (Psyche, or The Legend of Adonis). 108-10.

Bausch, Pina. Der Fensterputzer (The Window Washer). 388-89.

Beckett, Samuel. Ne Ide Pa Ne Ide (I Can't Go, I Won't Go). Stephano Gabrini, adapt. 111-13.

Berkoff, Steven, adapt. Metamorphosis. 114-16.

Bogart, Ann. Culture of Desire. 380-81.

Brecht, Bertolt. A Journey. Hany Ghanem, adapt. 390-93.

Büchner, Georg. Private Battle. Lynn Manning, adapt. 100-101.

------. Woyzeck. Josef Nagy, adapt. 100-101.

Burney, Frances. The Witlings. 543-44.

Chekhov, Anton. The Cherry Orchard. 392-97.

------. Three Sisters. 397-400.

Chong, Ping, adapt. Kwaidon. 521-23.

Cixous, Hélène. With Théâtre du Soleil. Et soudain, des nuits d'éveil (And Suddenly, Nights of Awakening). 529-31.

Corneille, Pierre. The Theatrical Illusion. 262-66.

Coward, Noël. Private Lives. 378-80.

Crowe, Nick. With Graham Parker and Ian James Rawlinson. Mugger Music. 269-70.

Czerny, Milan, adapt. Jób--An Oratorio for Actors. 113-14.

Doctorow, E.L. Ragtime. Terrence McNally, adapt., with Lynn Ahrens and Stephen Flaherty. 540-42.

Dohnal, Martin. With Joseph Roth. Jób--An Oratorio for Actors. Milan Czerny, adapt. 113-14.

Dumol, Paul. Ilustrado. 531-34.

Euripides. Iphigenia in Aulis. K.H. Myris, adapt. 390-93.

Flaherty, Stephen, adapt. With Terrence McNally and Lynn Ahrens. Ragtime. 540-42.

Ford, John. 'Tis Pity She's A Whore. 246-48.

Foreman, Richard. Pearls for Pigs. 517-18.

Fornes, Maria Irene. Terra Incognita. 98-99.

Fugard, Athol. Valley Song. 103-5.

------. The Game. 105-7.

Gabrini, Stephano, adapt. Ne Ide Pa Ne Ide (I Can't Go, I Won't Go). 111-13.

Galindo, Pete, adapt. With Gloria Alvarez, Lynn Jeffries, and Peter Sellars. Los Biombos/The Screens. 525-29.

Genet, Jean. Los Biombos/The Screens. Gloria Alvarez, adapt., with Pete Galindo, Lynn Jeffries, and Peter Sellars. 525-29.

Ghanem, Hany, adapt. A Journey. 390-93.

Glass, Philip. With Robert Wilson. Monsters of Grace 1.0: A Digital Opera in Three Dimensions. 513-14.

Goethe, Johann Wolfgang. F@ust: Version 3.0. Pablo Ley, adapt. 511-13.

Gombrowicz, Witold. As If "Operetta." Jurek Sawka, adapt. 116-21.

------. Attorney Kraykowski's Dancer. Krzysztof Warlikowski, adapt. 116-21.

------. Ivona, Princess of Burgundia. 116-21.

Gravel, Robert. With Jean-Pierre Ronfard. Matines: Sade au Petit Déjeuner (Matins: Breakfast with the Marquis de Sade). 121-25.

------. Thérèse, Tom et Simon . . . L'Intégrale (Therese, Tom and Simon . . . The Complete Version). 121-25.

Hesse, Volker. With Urs Widmer. Top Dogs. 262-66.

Hoch, Danny. Jails, Hospitals & Hip-Hop. 523-25.

Holden, Joan. With Paula Loera, Daniel Nugent, and Eva Tessler. 13 Días/13 Days: How the New Zapatistas Shook the World. 97-98.

Horváth, Ödön von. Kasimir und Karoline (Kasimir and Karoline). 262-66.

Inhlanzi Ishelwe Amanzi--As Fish Out of Water. 105-7.

Jackson, Eric. Tell-Tale. 270-72.

Jacob, Malou. Anatomy of Corruption. 531-34.

Jarry, Alfred. Ubu and the Truth Commission. Jane Taylor, adapt. 105-7.

Jeffries, Lynn, adapt. With Gloria Alvarez, Pete Galindo, and Peter Sellars. Los Biombos/The Screens. 525-29.

Kafka, Franz. Metamorphosis. Steven Berkoff, adapt. 114-16.

Kavanaugh, Patrick. Tarry Flynn. 257-60.

Kushner, Tony. Hydriotaphia, or The Death of Dr. Browne. 373-75.

Le, Hung. Now and Zen. 535-37.

Ley, Pablo, adapt. F@ust: Version 3.0. 511-13.

Loera, Paula. With Joan Holden, Daniel Nugent, and Eva Tessler. 13 Días/13 Days: How the New Zapatistas Shook the World. 97-98.

McDonagh, Martin. The Cripple of Inishman. 257-60.

Mad Dog. To Whom It May Concern. 392-97.

Manning, Lynn, adapt. Private Battle. 100-101.

Marleau, Denis, adapt. Les trois derniers jours de Fernando Pessoa (Fernando Passoa's Last Three Days). 121-25.

Martin, Jane. Mr. Bundy. 382.

McDermott, Phelim. 70 Hill Lane. 390-93.

McNally, Terrence, adapt. With Lynn Ahrens, Stephen Flaherty. Ragtime. 540-42.

Mélodie Théâtre. Concert d'eau pour jardin d'hiver (A Concert of Water for a Winter Garden). 267-68.

Molière. The School for Wives. 251-52.

------. Tartuffe. 249-51.

Molina, Tirso de. The Reluctant Lovers. 252-54.

Myris, K.H, adapt. Atrides. 390-93.

Nagy, Josef, adapt. Woyzeck. 100-101.

Nugent, Daniel. With Joan Holden, Paula Loera, and Eva Tessler. 13 Días/13 Days: How the New Zapatistas Shook the World. 97-98.

O'Neill, Eugene. Ah, Wilderness! 385-88.

------. The Emperor Jones. 385-88.

Parker, Graham. With Nick Crowe and Ian James Rawlinson. Mugger Music. 269-70.

Rainsford. The Descent. 390-93.

Rawlinson, Ian James. With Nick Crowe and Graham Parker. Mugger Music. 269-70.

Rivera, José. The Street of the Sun. 95-97.

Ronfard, Jean-Pierre. With Robert Gravel. Matines: Sade au Petit Déjeuner (Matins: Breakfast with the Marquis de Sade). 121-25.

Roth, Joseph. With Martin Dohnal. Jób--An Oratorio for Actors. Milan Czerny, adapt. 113-14.

Sanou, Salia. "Le Siècle des Fous" ("The Century of Fools"). 108-10.

Saratoga International Theater Institute. BOB. 514-17.

Sellars, Peter, adapt. With Gloria Alvarez, Pete Galindo, and Lynn Jeffries. Los Biombos/The Screens. 525-29.

Shadow Clan. Nothing. 111-13.

Shakespeare, William. Elsinore. Robert Lepage, adapt. 237-40.

------. Hamlet. 233-34.

------. Hamlet. 234-37.

------. Macbeth. 242-46.

------. Richard III. 240-42.

Shaw, Peggy. Menopausal Gentleman. 377-78.

Sondheim, Stephen. With John Weidman. Pacific Overtures. 537-40.

Sophocles. Electra. K.H. Myris, adapt. 390-93.

Stein, Gertrude. House/Lights. The Wooster Group, adapt. 383-85.

Stewart-Brown, Christi. The Gene Pool. 375-77.

Strindberg, August. The Father. 261-62.

Tabucchi, Antonio. Les trois derniers jours de Fernando Pessoa (Fernando Passoa's Last Three Days). Denis Marleau, adapt. 121-25.

Taylor, Jane, adapt. Ubu and the Truth Commission. 105-7.

Tessler, Eva. With Joan Holden, Paula Loera, and Daniel Nugent. 13 Días/13 Days: How the New Zapatistas Shook the World. 97-98.

Théâtre du Soleil. With Hélène Cixous. Et soudain, des nuits d'éveil (And Suddenly, Nights of Awakening). 529-31.

Théâtre Organique. Tyours Ellil/Night Birds. 108-10.

Thorpe, John. Chap Am So: The Amistad Victory. 101-3.

Tsvetaeva, Marina. Adventure (Casanova). 392-97.

Tumbuka. ". . . And Rwanda." 108-10.

------. "Pride." 108-10.

------. "Solo for a Street Child." 108-10.

Van Niekerk, Marlene. Triomf (Triumph). 105-7.

Vogel, Paula. How I Learned to Drive. 127-28.

Wallace, Naomi. One Flea Spare. 254-57.

Waltz, Sasha. Allee der Kosmonauten (Cosmonaut Street). 262-66.

Weidman, John. With Stephen Sondheim. Pacific Overtures. 537-40.

Wesker, Arnold. The Kitchen. 125-27.

Widmer, Urs. With Volker Hesse. Top Dogs. 262-66.

Wilson, Robert. With Philip Glass. Monsters of Grace 1.0: A Digital Opera in Three Dimensions. 513-14.

Wooster Group, adapt. House/Lights. 383-85.

Wyspian;ski, Stanis¬aw. Noc listopadowa (November Night). 518-21.

Producing Groups Reviewed

Companies, U.S.

The Actors' Gang, Los Angeles. 100-101.

Actors Theatre of Louisville. 378-80; 382.

Alley Theatre, Houston. 373-75.

Bawdy Planet Theater Company, New York City. 252-54.

Borderlands Theater, Tucson. With San Francisco Mime Troupe. 97-98.

Brooklyn Academy of Music. 237-40; 388-89; 397-400.

Center for Puppetry Arts, Atlanta. 521-23.

Cornerstone Theater, Los Angeles. 525-29.

Dixon Place, New York City. 377-78.

East West Players, Los Angeles. 537-40.

INTAR Hispanic American Arts Center, New York City. With The Women's Project. 98-99.

Joseph Papp Public Theater/New York Shakespeare Festival. 254-57.

La Jolla Playhouse, San Diego. 251-52.

Lincoln Center Theater, New York City. 385-88; 511-13.

Livent, Inc., New York City. 540-42.

Mad Dog, New York City. 392-97.

Main Street Theatre, Houston. 543-44.

Manhattan Cultural Council, New York City. 269-70.

Mark Taper Forum, Los Angeles. 95-97; 103-5.

Maryland Stage Company, Baltimore. 249-51.

Network of Cultural Centers of Color, New York City. 101-3.

Performance Space 122, New York City. 523-25.

Portland Stage Company. With Saratoga International Theater Institute. 380-81.

San Francisco Mime Troupe. With Borderlands Theatre, Tucson. 97-98.

Saratoga International Theater Institute. With Portland Stage Company. 380-81.

------. With Wexner Center for the Arts, Columbus. 514-17.

Shadow Clan, Los Angeles. 111-13.

Shakespeare Santa Cruz, California. 240-42.

Theatre Couture, New York City. 270-72.

Théâtre de la Jeune Lune, Minneapolis. 125-27.

Tribeca Performing Arts Center, New York City. 517-18.

UCLA Center for the Performing Arts, Los Angeles. 513-14.

Vineyard Theatre, New York City. 127-28.

Walk & Squawk Performance Project, Ann Arbor. With the University of Natal at Pietermaritzburg, South Africa. 105-7.

Wexner Center for the Arts, Columbus. With Saratoga International Theater Institute. 514-17.

The Women's Project, New York City. With INTAR Hispanic American Arts Center. 98-99.

Woolly Mammoth Theatre, Washington, DC. 375-77.

Wooster Group, New York City. 383-85; 385-88.

Companies, Foreign

Abbey Theatre, Dublin. 257-60.

Atelier P. Fomenko, Moscow. 392-97.

Avant-Garde Theatre, Egypt. 390-93.

Ballet-Théâtre Zinoun, Morocco. 108-10.

Black Box Theatre Company, Prague. 114-16.

Chapel of Change, Australia. 390-93.

Deutsches Schauspielhaus, Hamburg. 116-21; 262-66.

Ex Machina, Québec. 237-40.

La Fura dels Baus, Barcelona. 511-13.

Hadida Productions, South Africa. 105-7.

HaDivadlo Theatre Company, Brno, Czech Republic. 113-14.

Handspring Puppet Company, South Africa. 105-7.

Improbable Theatre Company, Great Britain. 390-93.

Jazz Art, Cape Town. 108-10.

LIFE Vilnius. 233-34.

Mélodie Théâtre, France. 267-68.

Moscow Art Theatre, 397-400.

Nouveau Théâtre Expérimental, Montréal. 121-25.

Rebellious Theater, Cairo. 390-93.

Replika, Stockholm. 116-21.

Royal Dramatic Theatre, Stockholm, 261-62.

Royal National Theatre, London. 257-60.

Royal Shakespeare Company, Stratford-upon-Avon. 234-37.

Sasha Waltz and Guests, Berlin. 262-66.

Spring Theater, Athens. 390-93.

Tanghalang Pilipino, Manila. 531-34.

Tanztheater Wuppertal Pina Bausch. 388-89.

Teatr Narodowy, Warsaw. 518-21.

Teatr Powszechny, Radom, Poland. 116-21.

Theater an der Ruhr, Mühlheim an der Ruhr. 392-97.

Theater Neumarkt, Zürich. 262-66.

Théâtre du Soleil, Paris. 529-31.

Théâtre National de Bretagne-Rennes, France. 100-101.

Théâtre National de Chaillot, Paris. 246-48.

Théâtre Organique, Tunisia. 108-10.

Theatre 2000, Zagreb. 242-46.

Théâtre Ubu, Montréal. 121-25.

Tumbuka, Zimbabwe. 108-10.

University of Natal, Pietermaritzburg, South Africa. With Walk & Squawk Performance Project, Ann Arbor. 105-7.

Windybrow Centre for the Arts, South Africa. 105-7.

Festivals

Avignon Theatre Festival, France. 100-101.

Berlin Theatertreffen, Germany. 262-66.

1997 BITEF Festival, Yugoslavia. 392-97.

IX Cairo International Festival for Experimental Theatre. 390-93.

Festival de Théâtre des Amériques/Festival of the Americas, Montréal. 121-25.

1998 Hong Kong Fringe Festival. 535-37.

XVIII International Days of Youth Theatre Festival, Bosnia-Herzegovina. 111-13.

III International Gombrowicz Festival, Poland. 116-21.

Marche des Arts du Spectacle Africain (MASA '97), Ivory Coast. 108-10.

Standard Bank National Arts Festival, South Africa. 105-7.

Book Review Index

Books Reviewed

Aitken, Maria. Style: Acting in High Comedy. Rev. Janet L. Gupton. 287-88.

Ann Pellegrini. Performance Anxieties: Staging Psychoanalysis, Staging Race. Rev. Lara E. Dieckmann. 411-13.

Auslander, Philip. From Acting to Performance: Essays in Modernism and Postmodernism. Rev. Sharon Mazer. 274-75.

Bank, Rosemarie K. Theatre Culture in America, 1825-1860. Rev. Ginger Strand. 417-18.

Belkin, Ahuva, ed. Leone de' Sommi and the Performing Arts. Rev. Madeleine Schechter. 546-47.

Bhattacharya, Rimli, ed., trans. Binodini Dasi, My Story and My Life as an Actress. Rev. Kathryn Hansen. 555-57.

Blackburn, Stuart. Inside the Drama-House: Rama Stories and Shadow Puppets. Rev. Glenn Becker. 282-83.

Brask, Per, ed. Essays on Kushner's Angels. Rev. James Fisher. 550-52.

Braun, Kazimierz, ed. A History of Polish Theater, 1939-1989: Spheres of Captivity and Freedom. Rev. Anna Krajewska-Wieczorek. 557-58.

Brisset, Annie. A Sociocritique of Translation: Theatre and Alterity in Quebec 1968-1988. Rev. Erin Hurley. 406-7.

Burroughs, Catherine B., Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Writers. Rev. Maureen A. Dowd. 134-36.

Campbell, Patrick. Analysing Performance: A Critical Reader. Rev. Lesley Ferris. 275-76.

Case, Sue-Ellen. Split Britches: Lesbian Practice/Feminist Performance. Rev. Felicia Bender. 136-37.

Cerasano, S. P. and Marion Wynne-Davies, eds, Renaissance Drama by Women: Texts and Documents. Rev. Piero Garofalo. 141-42.

Cioffi, Kathleen. Alternative Theatre in Poland 1954-1989. Rev. Richard G. Scharine. 558-59.

Counsell, Colin. Signs of Performance: An Introduction to Twentieth-Century Theatre. Rev. Dean Wilcox. 409-10.

Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. Rev. Herbert Sennett. 284-86.

Curb, Rosemary Keefe, ed. Amazon All Stars: Thirteen Lesbian Plays with Essays and Commentary. Rev. Sarah Bay-Cheng. 286-87.

Delgado, Maria M. and Paul Heritage, eds. In Contact with the Gods: Directors Talk Theatre. Rev. David LeMaster. 413-15.

Demastes, William W., ed., Realism and the American Dramatic Tradition. Rev. James Fisher. 144-45.

Duffy, Susan. American Labor on Stage: Dramatic Interpretations of the Steel and Textile Industries in the 1930s. Rev. Linda Kintz. 279-81.

Eddershaw, Margaret. Performing Brecht: Forty Years of British Performances. Rev. Meenakshi Ponnuswami. 404-5.

Emigh, John. Masked Performance: The Play of Self and Other in Ritual and Theatre. Rev. David Kilpatrick. 283-84.

Erdman, Harley. Staging the Jew: The Performance of an American Ethnicity, 1860-1920. Rev. Robin Bernstein. 129-31.

Fearnow, Mark. The American Stage and the Great Depression: A Cultural History of the Grotesque. Rev. Linda Kintz. 279-81.

Fischer, Gerhard, ed, Heiner Müller: Contexts and History--A Collection of Essays from the Sydney German Studies Symposium. Rev. Steve Earnest. 132-34.

Fleche, Anne, Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism. Rev. James Fisher. 144-45.

Gale, Maggie. West End Women: Women and the London Stage 1918-1962. Rev. Katherine E. Kelly. 401-2.

Gambelli, Delia, ed. Arlecchino a parigi: lo scenario di Biancolelli. Rev. Thomas F. Heck. 545-46.

Geis, Deborah and Steven F. Kruger, eds. Approaching the Millennium: Essays on Angels in America. Rev. James Fisher. 550-52.

Girard, Dale Antony. Actors on Guard: A Practical Guide for the Use of Rapier and Dagger for Stage and Screen. Rev. Dennis R. Henneman. 415-16.

Gordon, Joan, ed. Stephen Sondheim: A Casebook. Rev. Kim Kowalke. 552-54.

Gropius, Walter and Arthur S. Wensinger, eds. The Theater of the Bauhaus. Rev. Dean Wilcox. 409-11.

Guralnick, Elissa S. Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio. Rev. Steven H. Gale. 405-6.

Howarth, William Driver. Beaumarchais and the Theatre, Rev. Jim Carmody. 407-9.

Hyman, Colette A. Staging Strikes: Workers' Theatre and the American Labor Movement. Rev. Linda Kintz. 279-81.

Jonas, Susan, Geoff Proehl, and Michael Lupu, eds. Dramaturgy in American Theater: A Source Book. Rev. Susan Chandler Haedicke. 554-55.

Kent, Assunta Bartolomucci. Maria Irene Fornes and Her Critics. Rev. Beth Cleary. 140-41.

King, W.D. Writing Wrongs: The Work of Wallace Shawn. Rev. Beth Schachter. 416-17.

Liebman, Herbert. The Dramatic Art of David Storey: The Journey of a Playwright. Rev. Stephen Di Benedetto. 145-46.

Manfull, Helen. In Other Words: Women Directors Speak. Rev. David LeMaster. 413-15.

Marranca, Bonnie. Ecologies of Theater. Rev. Fernando Oliveira. 276-77.

Martin, Carol, ed. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. Rev. Herbert Sennett. 284-86.

Moroff, Diane Lynn. Fornes: Theater in the Present Tense. Rev. Beth Cleary. 140-41.

Pascoe, Judith. Romantic Theatricality: Gender, Poetry, and Spectatorship. Rev. Maureen A. Dowd. 134-36.

Peacock, John. The Stage Designs of Inigo Jones: The European Context. Rev. Franklin J. Hildy. 273-74.

Perkins, Kathy A. and Roberta Uno, eds. Contemporary Plays by Women of Color. Rev. Judith Williams. 138-39.

Phelan, Peggy. Mourning Sex: Performing Public Memories. Rev. Janelle Reinelt. 547-49.

Rimli Bhattacharya, ed. and trans. Binonini Dasi, My Story and My Life as an Actress. Rev. Kathryn Hansen. 555-57.

Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. Rev. Nancy L. Bayer. 131-32.

Rosenthal, Laura J. Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property. Rev. Barbara Mackey. 402-3.

Solomon, Alisa. Re-Dressing the Canon: Essays on Theater and Gender. Rev. David Román. 549-50.

Suzman, Janet. Acting With Shakespeare: Three Comedies. Rev. Janet L. Gupton. 287-88.

Taylor, Diana. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War." Rev. David Román. 277-79.

Vorlicky, Robert. Tony Kushner in Conversation. Rev. James Fisher. 550-52.

Wainscott, Ronald H. The Emergence of the Modern American Theater 1914-1929. Rev. Dorothy Chansky. 419-20.

Weber, Carl, ed., Drama Contemporary: Germany. Rev. Steve Earnest. 132-34.

Yordon, Judy E. Experimental Theatre: Creating and Staging Texts. Rev. Lara E. Dieckmann. 411-13.

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